红牛在线
剧情简介
康沃尔渔(yú )村的(✒)风景明信片田(tián )园诗误(wù )(🌰)导了(🕋)人们。虽然过(guò )去(🤢)钓鱼是一种养家(jiā )糊口(🐉)的方式，但(dàn )如今富有的(😧)伦敦游客纷纷下(xià )山(❣)，取(qǔ )代(♑)了当地人(rén )，当地人的生计(jì )因(yīn )此受到威(🕯)胁(👁)。史蒂文(🔲)和马丁兄弟的关(guān )系也很紧张。马(😚)丁(dīng )是一个没(méi )有(🖍)船的渔夫，因(yīn )为史(🤷)蒂(🔊)文(💞)开始用它(📎)来为(wéi )一整天(tiān )的游(yóu )客提供(gòng )更(🖲)赚(zuàn )钱(qián )的旅游。他们(㊗)卖掉了这座(zuò )家(jiā )庭(🔝)别墅，现在看来，最(㊙)后一场战(💪)斗是和(hé )新主(zhǔ )人在海边的停车位上展开(😍)。然而，情况很快就失控了，而不仅仅是因为(🈁)车轮夹(💹)钳。Bait是(shì )一(yī )种黑白，手(➡)工制作，16毫米(🤷)胶片制作的电影。许(💯)多关于(🏒)鱼、网(🎥)、龙虾、长靴(xuē )(😙)、绳结(jié )和渔篮(💏)的特写镜(👵)头(♌)让人(rén )想(🐞)起了(🏃)蒙太(🏴)奇景点(diǎn )的理论(🌱)。对不(bú )同社(shè )会阶(jiē )层的描述——可(🎐)以(yǐ )说是阶级关系(xì )——也让(🔪)人想起了(⏺)英(yīng )国电影中的社会现(xiàn )(💑)实主(zhǔ )义传统。然而，最重(chóng )要(yào )的是，在影像中不同层次(🚪)的(de )电影历(lì )史参考(kǎo )文献之下，当前许(🛌)多政治关(guān )联(📯)正在等待被发现(xiàn )。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations –(🌽) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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