红牛在线
剧情简介
康沃尔渔(🆓)村的风景明(míng )信片田园诗误(wù )导了(le )人(rén )们。虽(🛍)然过(🕰)去钓(diào )鱼(yú )是一种养家(jiā )糊口的方式，但(🏴)如今富有(💤)的伦敦游客纷(fēn )(⏬)纷下山，取代了(📼)当地人(🖲)，当地人(rén )的生计因此受到(🕖)威(wēi )胁。史(shǐ )(💆)蒂(dì )文和马丁兄(🏐)弟的(de )(🐖)关(guān )系(xì )也很(hěn )紧张。马丁(🍮)是一(yī )个没有船(🚑)的(🐶)渔夫，因为史(🤷)蒂文(💞)开始用(yòng )它来为(wéi )一整天的(de )游客(kè )(🛑)提供更(gèng )赚钱的旅游。他们卖掉了这(🗞)座(🙂)家(📙)庭别墅，现在看来，最后一场战(💪)斗是和新主(🍄)人在(zài )海边的停车(🚻)位上(shàng )展开(😍)。然而，情况很快就失控了，而不仅仅(jǐn )是(shì )因(🤘)为车(chē )轮夹钳。Bait是一种(🐾)黑(🦇)白(😊)，手工制作，16毫米胶片制作的电(💹)影。许(💯)多关于鱼(yú )、网、龙虾、长靴、绳结和渔篮的特写(xiě )镜头让人(🥅)想起了(le )蒙(méng )太(tài )奇(🚲)景点的理论。对(🐖)不同社会阶层(céng )的(de )描(miáo )述——可以说是(👛)阶级(😳)关(guān )系(xì )——也(🍺)让(ràng )人想起了英国电影中的社会(🕺)现(xiàn )实(shí )(🎴)主(zhǔ )义传(🚩)统(tǒng )。然而(ér )，最重要的是，在(zài )(🐈)影像中不同(tóng )层(🈂)次的(de )电影(yǐng )历史参考(🐅)文献之下，当前(🛃)许多(🍾)政治关联正在等(👆)待被发(fā )(🍉)现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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